The Britpop legends Blur’s first new track in eight years — off an upcoming album the group secretly recorded and all of a sudden introduced this week, “The Ballad of Darren” — is a self-critical catalog of the disillusions of fame, awash within the band’s misty melancholy. Damon Albarn’s reflections are sullen and cleareyed, however buoyed by Dave Rowntree regular beat and Graham Coxon’s charmingly cheery backing vocals he finds a glimmer of hope and power to hold on. “I gained’t fall this time,” he sings. “With godspeed, I’ll heed the indicators.” LINDSAY ZOLADZ
Sparks, ‘Nothing Is as Good as They Say It Is’
The meta-pop band Sparks lives for literary conceits, and right here’s the newest: a track narrated by a 22-hour-old child who desires to return to “my former quarters” — that’s, the womb. The child would fortunately commerce the ugliness and anxiousness of the skin world for “a awful view.” Really, who may blame the kid? Wry, elegantly rhymed, and galloping alongside on a brand new wave beat, it’s like classic Sparks, intelligent as ever. JON PARELES
Anohni and the Johnsons, ‘It Must Change’
The shape-shifting chanteuse Anohni has achieved brash electro-pop and poignant piano ballads, however that is a completely new register for her: Sparse, slinky soul indebted to Marvin Gaye. (But, you realize, not too indebted.) A cloud of elegy hangs over the track, although, as over the warming planet, whereas Anhoni — fiercely, tenderly — appears to sing within the voice of Mother Earth herself, mourning “the loss of life inside you that you just cross into me.” ZOLADZ
Lido Pimienta, ‘Ein Sof, Infinito’
Otherworldly and childlike suddenly, “Ein Sof, Infinito” is the newest transcultural track from the Colombian-Canadian songwriter Lido Pimienta, written for “Ein Sof,” a movie by the Colombian-Israeli director Orly Anan; “Ein Sof” is Hebrew for “infinite.” Pimienta’s clear soprano hovers amid pizzicato strings, tiny bells and distant excessive digital swoops, to be joined by an unhurried dembow beat, tootling Andean flutes and gliding string phrases that trace at Bollywood. She sings about goals and pleasure earlier than the track disappears skyward. PARELES
Bad Bunny, ‘Where She Goes’
The title is in English however the lyrics, as all the time with Bad Bunny, are in Spanish; he’s not abandoning his Puerto Rican birthright. Bad Bunny sings a few one-night stand that he remembers however she won’t, over a observe that throbs with arena-scale reverberation: pulsing minor-key keyboard chords enveloping a reggaeton beat, with crowd shouts tucked into the combo. It’s Bad Bunny’s specialty: plaintive bragging, without delay intimate and gigantic. PARELES
Summer Walker that includes Childish Gambino, ‘New Type’
Summer Walker savors loneliness and luxurious in “New Type.” She’s alone on “silk sheets,” eager for a person, ready for her telephone to ring; she’s additionally desirous about messy conditions with previous connections — “arguing on the telephone together with your ugly child mom” — and referencing Erykah Badu’s “Tyrone.” Donald Glover — a.ok.a. Childish Gambino — raps in his lowest register that “I do know I’m ugly however I’m fascinating” and now he’s working, “doing 9 to 5.” She’s not essentially satisfied. PARELES
Miya Folick, ‘Cockroach’
“Crush me beneath the load/bitterness, jealous, hate,” Miya Folick taunts, then guarantees that she has the survival abilities of a cockroach. The observe is a leisurely waltz, nevertheless it retains getting busier because it goes, layering on drums, keyboards, guitars and noise whereas Folick practically disappears, as elusive and chronic because the track’s namesake. PARELES
Lana Del Rey, ‘Say Yes to Heaven’
Lana Del Rey guarantees dependable want in “Say Yes to Heaven,” providing herself to somebody over a sample of three ascending chords. The track has been circulating unofficially on-line for a decade, and was sampled for TikTok; now she has launched the official model. Her pursuit is self-abnegating and obsessive: “If you go I’ll keep/You come again, I’ll be proper right here,” she vows, as guitars and strings collect soothingly round her. Yet at the same time as she coos “I’ve received my eye on you,” her devotion has an undercurrent of risk. PARELES
Ella Langley, ‘Could’ve Been Her’
The nation singer Ella Langley refuses to settle in “Could’ve Been Her.” She didn’t and she or he’s proud. An edifice of march beats and pedal-steel harmonies arises round her as she sings a few potential husband who, she knew, would lie and cheat. The track celebrates her requirements and her escape. — PARELES
Call Super and Julia Holter, ‘Illumina’
Call Super — the English D.J. and producer Joseph Richmond Seaton — created a thudding, sputtering, metronomic however ever-changing percussion observe, with new sounds leaping out each few seconds, together with some aggressively gnarled and tweaked clarinets. The composer and singer Julia Holter tops it with temporary, cryptic phrases; her coolheadedness solely magnifies the mayhem round her. PARELES
Content Source: www.nytimes.com