When you sing the music proper, Mozart is like medication, a balm for the voice. It’s indescribably lovely, and simply so genius. But it may be misleading. It sounds quite simple and easy, nevertheless it takes numerous onerous work to realize that.
You should have good legato, and excellent breath management, to get by way of numerous lengthy phrases. Mozart additionally writes runs with loopy coloratura, in addition to some dramatic moments. To do all that requires safe method. It’s very completely different from verismo, or Verdi. Clarity and purity: When you’re singing Mozart’s music, you must use explicit muscular tissues to be versatile but preserve the purity of the tone. This is all a testomony of wholesome, and good, method.
Mostly within the recitatives, Zerlina will get extra dramatic. In the scene proper earlier than “Batti, batti,” when she goes again to Masetto after virtually being seduced by Don Giovanni, she shows her functionality in coping with Masetto, saying: “What, you don’t consider me? Then kill me. Please, let’s simply make peace.” It’s fully human, and so relatable. That’s one other factor about these roles; you’ll be able to see your self, and you may be that particular person.
But to interpret this, you must be trustworthy to what Mozart has already written. He is a superb vocal composer; numerous issues are already written into the rating, burdened in how the language is expressed. If you comply with that, the feelings communicate for themselves. So, the interpretation needs to be just a little extra strict, nevertheless it ought to appear easy.
The onerous work to do this is within the preparation. You’ve acquired to know different folks’s traces, and bear in mind and hearken to no matter is going on round you. Once all that, all the pieces is evident, and you’ll cease pondering an excessive amount of and simply take pleasure in being in your character. Then, the great thing about it’s simply so satisfying. It actually is among the best joys.
Content Source: www.nytimes.com
