HomeMusicWhat to See on Europe’s Opera Levels Subsequent Season

What to See on Europe’s Opera Levels Subsequent Season


Keeping up with opera in Europe is an almost inconceivable job. There by no means appears to be sufficient time, or cash, to see all that the continent has to supply throughout its many storied homes. Many of crucial amongst them have introduced their 2023-24 seasons. Here are some highlights, in chronological order.

The Royal Opera House in London embarks on the multiseason effort of staging Wagner’s four-opera “Der Ring des Nibelungen” with its first installment (Sept. 11-29) proper as its music director, Antonio Pappano, enters his remaining season there. He will likely be again to conduct the opposite three, although, lending a way of cohesion to this new staging by the reliably entertaining Barrie Kosky, starring Christopher Maltman as Wotan. Not lengthy after, one other main “Ring” begins on the Monnaie in Brussels, the place the symbol-happy abstractionist Romeo Castellucci’s productions of “Das Rheingold” (Oct. 24-Nov. 9) and “Die Walküre” (Jan. 21-Feb. 11) will comply with in fast succession.

As the Komische Oper in Berlin closes for renovations, the corporate enters a nomadic interval acquainted to its neighbor, the Berlin State Opera, which for years operated out of the Schiller Theater, the place most of the Komische’s productions will likely be offered subsequent season. But it should additionally department out, together with with its new staging, by the sleekly sensible Tobias Kratzer of Hans Werner Henze’s “Das Floss der Medusa” (“The Raft of the Medusa”), inside a hangar on the disused Tempelhof Airport (Sept. 16-Oct. 2).

The provocateur Calixto Bieito’s manufacturing of Verdi’s “Aida” at Theater Basel over a decade in the past has been described as a troublesome, even disturbing depiction of immigration in Europe. His new staging, on the Berlin State Opera (Oct. 3-29), is being billed extra modestly, as homing in on the work’s intimacy, and as mining the stress between the opera and the politics of its time. Nicola Luisotti conducts a solid that features the tenor Yusif Eyvazov as Radamès and the bass René Pape as Ramfis.

Masques, which had been one thing like selection exhibits within the seventeenth century, get modern remedy on this Opera North pastiche from the inveterate director David Pountney touring northern England (Oct. 6-Nov. 16). The hope is to present Henry Purcell — one in all his nation’s important composers and, in Pountney’s view, its best creator of stage music till Benjamin Britten — his due as a author for the theater. So, reasonably than revive Purcell’s solely opera, “Dido and Aeneas,” Pountney has assembled bits and items from elsewhere in his output for a brand new present on topical modern themes.

After its premiere in San Francisco this season, John Adams’s latest opera, an intricate but flowing adaptation of Shakespeare, travels to the Gran Teatre del Liceu in Barcelona, Spain (Oct. 28-Nov. 8). One of the celebs it was written for, the soprano Julia Bullock, missed the sooner run as a result of she was pregnant, however she will likely be again, with the remainder of the principal solid, for this revival, directed by Elkhanah Pulitzer. Adams, who famously revises his scores, will likely be on the conductor’s podium.

Yes, extra of the “Ring.” The Zurich Opera House’s cycle, carried out by its basic music director, Gianandrea Noseda, and directed by Andreas Homoki, its creative chief, reaches its conclusion with the premiere of “Götterdämmerung,” starring the elegant, mighty soprano Camilla Nylund as Brünnhilde and the ethereal-voiced tenor Klaus Florian Vogt as Siegfried (Nov. 5-Dec. 3). Then, the entire “Ring” will likely be offered in cycles in spring 2024, with performers together with Tomasz Konieczny as Wotan and Christopher Purves as Alberich (May 3-9 and 18-26).

György Ligeti’s solely opera — an apocalyptic darkish comedy of dizzying eclecticism — was broadly seen within the years instantly after its 1978 premiere. These days, a efficiency of it appears like extra of a special day; however subsequent season, there are two to select from. At the Vienna State Opera, Jan Lauwers, who directed a strident revival of Luigi Nono’s “Intolleranza 1960” at the Salzburg Festival, helms a brand new manufacturing carried out by Pablo Heras-Casado (Nov. 11-23). Then, on the Bavarian State Opera, the work will likely be offered in a brand new staging by the cerebral Krzysztof Warlikowski, carried out by one in all that home’s former basic music administrators, Kent Nagano (June 28-July 7).

Thomas Adès’s third opera — one of many most interesting thus far this century — appeared to have a future threatened by its personal ambition. With an infinite (which is to say costly) solid of principal characters and an orchestra of Wagnerian scale, it was not precisely inviting revivals. Yet there it’s on the schedule for the Paris Opera’s coming season — with a much less starry solid than its early runs on the Salzburg Festival and the Metropolitan Opera, maybe, however with a brand new manufacturing from Calixto Bieito, and the baton of Gustavo Dudamel, the corporate’s music director and a certain hand in Adès’s music (Feb. 29-March 23).

The Dutch National Opera, which up to now couple of seasons has been a font of profitable world premieres like Michel van der Aa’s “Upload” and Alexander Raskatov’s “Animal Farm,” has now commissioned the Pulitzer Prize-winning composer Ellen Reid, whose “The Shell Trial” will likely be launched on the home’s Opera Forward Festival (March 16-21). Inspired by a Dutch courtroom’s 2021 ruling that the Shell firm was legally answerable for contributing to local weather change, it should characteristic Julia Bullock, a star of “Upload,” within the twin function of the Law and the Artist.

Everything on this listing has been a brand new manufacturing or a premiere. But opera is an artwork kind that thrives on revivals of repertory classics, and on listening to the celebs of at the moment revisit the works, and productions, of the previous. One of these singers is the soprano Lise Davidsen, who tends to astonish in her function debuts, like her Marschallin in “Der Rosenkavalier” on the Metropolitan Opera just lately. Coming quickly is extra Strauss, when she takes on the title character in his “Salome” on the Paris Opera, in Lydia Steier’s staging, carried out by Mark Wigglesworth (May 9-28).

Content Source: www.nytimes.com


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